Showing posts with label Comcast. Show all posts
Showing posts with label Comcast. Show all posts

9.19.2012

I HAVE CONSUMED ONE SIXTH OF THE RESIDENT EVIL 6 DEMO

Yes.
Specifically, playing as Leon in Leon's campaign (as opposed to Helana, whoever the fuck that is, these demos are a very vertical slice).
Very tense, very dark, very creepy.
I'm doing my best to stretch this out as long as I can because, man, I don't think I realized how much I have been looking forward to this game...
Luckily, I'm pretty tied up with stuff until it drops on October 2nd and I play it over that weekend with Jen as my co-op partner and Lisa as our the-person-who-sits-behind-us-and-screams-when-something-scary-happens.

But still...I yearn...

Anyway, tonight I make my very first appearance on a podcast EVER.
It's called Bookend Tiger Radio (a podcast about bookends which are shaped like tigers, but are actually radios...I assume) and you can check out their glory here...I think; they seem to have a several SoundCloud pages...
It's going to be excellent and I'm very excited for you not to hear it because you don't have enough time to listen to a podcast or you never listen to podcasts or what's a podcast?
Fucking Christ.
GOOGLE THE INTERNET, LUDDITES!

Earlier today, I had yet another Comcast VO session, but, BUT, rather than record with the same template we've used for a year and a half, we tried something different with my read...perhaps the worst thing that can happen to a voice actor...conversational.
*shudder*
Yes, up to this point, it has been sort of excited, slightly over-the-top...well, hear for yourself.
But, apparently, one of the Comcast Godlings thought that it sounded a bit too much like the Comcast sports guy, so they wanted it to be more...conversational.
And, of course, we've all had those conversations where someone just perks up and says, totally apropos of something, "hey guys, Xfinity gives you instant access to the most talked about movies and original programs On Demand- on TV and online" and everyone is, like, slowly backing away from that person...yeah, happens all the time.
Seriously, when have you ever called anything on television a program or used the phrase "most talked about"?
Ugh.
Advertising.
I'd be more upset if they loved/paid me less.
In the end, however, I gave them a different read which, while maybe not conversational, certainly sounds good. We'll see if they dissolve my contract or continue to give me hot towels, foot rubs and little, meaningful kisses.

The other night, I took Lady Jay Rock's advice and watched Death At A Funeral.
Rather than talk about it using words, I think I'm going to use an image:



Formulaic? You bet, but the trick is to have some really great actors and writers to create that big chunk in the middle, and that is exactly what they did: Alan Tudyk, the guy who played Spud in Trainspotting and Peter Dinklage (one of the tallest actors in Hollywood*), doing an incredible job as a little person, so convincing. Truly a fun, filthy movie.

Totally unrelated: those subway ads for that show "Nashville" (which, based on the number of subway cars utterly plastered with said ads, is going to be a total hit) that just feature the word "Nashville" and a kind of slutty looking woman just make me think of Nashville Pussy.
The band, not...yeah, anyway.

I had about forty five minutes before I was planning to go to bed the other night, so I watched the forty four minute documentary Six Days To Air, which follows the conception, creation and airing of an entire episode of South Park. Somehow, I have more and less respect for those two, but continue to want to be their friend, the only actor they don't hate and disdain... Learned from said doc that Bill Hader is a cast member and writer for the show, but, oddly enough, you never see him pitch one idea in any of the writers' meetings, just laugh at other peoples' stuff and repeat it, so, not sure what the viewer is supposed to take from that; most likely that Matt and Trey had it edited that way to be dicks.

I'm sick of all these letters.







* Industry secret, shh.

11.22.2011

Skrutz

11.22.11
3:38 pm
 
That's about where I'm at right now.
Skrutz.
Why am I skrutz?
Good question.
Good.
 
On Friday, I was asked if I could come into work on Monday, not at 3pm, but at 4:30pm.
I happily said yes and then proceeded to stay up until 6am on Monday, playing the new Assassin's Creed.
I woke at 3pm, showered and went to work.
But (and here's where some of the skrutz comes in), I had a booking with Cablevision* at 10am this morning.
So, I went to beddy sleep at 1:30 this morning, hoping to, I don't know, trick myself into getting a good night's sleep, but no one can fool me.
Not even me.
Or can I?
No, I can't.
Everything was fine, I went out like a light at 1:45ish, only to wake up at 3:45 and then again at 6, 7:30 and, finally, at 9:45.
The booking was from 10am to 2pm and was a bit hurry-up-and-wait because of "crossed wires" and "group failings".
But, it was all good, as the folks from Kirshenbaum Bond Senecal & Partners all have wonderful, twisted senses of humor and we got along thunderously.
Then...at 12:30...Sound Lounge (the place I've been booking a lot of stuff lately) presented lunch...a fully catered Thanksgiving bonanza consisting of everything wonderful you could ever wish for.
Luckily, the client called in and gave notes and I did the last bit of VO before the food kicked it.
At this moment though, the food has officially kicked in.
I'm not one of "those people" who believe there is enough tryptophane in a few slices of turkey to actually affect a grown man like myself, but I do believe that a full tummy (especially when that tummy is full of yummy nummy foodsies) plus lack of proper sleep results in skrutz.
Hence: me, now.
Skrutz.
 
And yet...I carry on...
Somehow, some way.
LBC, funky ass shit, etc.
 
So, back to the me.
...have I mentioned that I finished editing my recording of The Grind Show?
I know Phil knows, but...hm...I may have forgotten to mention it elsewhere.
Well.
Done with that.
Taking a bit of a breather and then I'm going to take his notes and implement them.
Implement them xmax.
But Christ the Jesus does it feel good to be, more or less, done with this project.
Now, the ball is in audible.com's court.
Hopefully they'll pass it back covered in honey and thousand dollar bills.
That is how this whole thing works, right?
Balls covered in honey and thousand dollar bills?
Honeymoneyballs?
 
I've also been reading the new King, 11/22/63.
After the requisite "here's how time travel works in this book" chapters, things were pretty cool; the main character returns to Derry, Maine, about a year after the events of IT and runs into some familiar faces, but after that, things got real uninteresting, real fast and have stayed that way for a while.
And King has actually brought out an argument that is tantamount to the old chestnut "would you kill Hitler as a baby?" and he's (the main character) acting all mixed up about it.
Dude.
Yes.
You kill Hitler.
You always kill Hitler.
As an adult, as a baby, as a sperm in his father's nut sack.
You always. Kill. Hitler.**
Anyway, hopefully things will pick up again.
 
I've been intersticing the King with some DC comics (which is redundant, but so is the "Rio Grande River" so fuck right off), namely Suicide Squad (pretty good, depending on the writer/time period. Here's a hint: avoid the 80's.), Checkmate (slow), Salvation Run (excellent) and, just recently, Batman Confidential, which has been rock solid for the first dozen or so issues.
The second story arc is a reinvention of the Joker's origin by a guy called Michael Green and it's stunning.
Gives Batman a lot more of the responsibility for what happened... 
The art is a bit odd, looks a touch like Aeon Flux at times, but with a lot more lines.
 
Going back to whatever it was I was talking about before; last week, Comcast called me back for yet another rerecord AND have booked me Monday for yet another rerecord.
I must say, being the "voice" of a certain spot for several months running is a lot better than auditioning and not getting gigs.
A lot.
It's like, "Yeah, we remember you were good that one time, so let's get down to brass tacks. How much for the monkey?"
And you're like, "Just pay me every time I walk through the door."
And they're like, "Have some Thanksgiving dinner on a Tuesday."
And you're like, "Yes. I will."
This is what I was talking about when I said I enjoy being a boy in love with you.
In love with you, girl.
Oh yeah.
 
Fucking shit I'm tired.
Does Starbucks do Frappucino enemas?
Can I get extra caramel?
And a lot...of whipped cream.
 
Oh, and go check out that short film that Ray and me and Pete and Jess Howell and Phil (different Phil) did.
I'm scary as shit in it and I did the sound design.
Not the piano, the cool background ambience.
Here's a link!!!
"Bitter Sweet"!!!!!!!!
And, the entry before this is a behind the scenes look...in writing!!!
BLEEDING EDGE TECH!!!
 
Then:
MONEY FOR DOPE!!!!!!!!!!!
BANGOLIN!!!!!!!!
A DOZEN OYSTERS ON THE HALF SHELL!!!!!!!!!
WOODEN LEG!!!!!!!!!!!!!
GALVANIZED TUB!!!!!!!!!!!!!!!!!!!
MONEY FOR DOOOOOOOPE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
 
 
 
 
 
 
 
 
 
 
 
 
*Cablevision = enjoying my Kool-Aid
 
** Would someone please t-shirt that for me? Something pink and flashy? XXL, if you could.

8.16.2011

Crunchy Bits

8.16.11

8:53 pm

 

Very tired today.

Bear with me.

There is a bear with me.

 

WHY I am tired pertains to a thing that Digitas and I have going on...

I have booked three out of three recent auditions, plus a re-record for an earlier project in the past week.

Two of these bookings in one day, both of them (along with this morning's re-record) all paid for by Digitas.

I don't know who is running this company, but obviously they think they owe me some money.

Or they realize that I'm a hot, young talent.

Probably both.

Which I'm fine with.

The two bookings on one day were pretty damn disparate: the first was a growly, kill-the-kids-because-they-won't-survive-what-is-about-to-come-to-pass-and-death-would-just-be-more-merciful voice over for Harley-Davidson cookware.

Or vacuums.

I can't quite recall.

I think I may have mentioned that audition here a while ago...

Whatever the case, I got it and recorded it in the same booth with a bunch of characters from Grand Theft Auto IV were recorded.

Which I thought was cool until I talked to my engineer who informed me that Rockstar (the makers of said game) were total shitheads.

Bummer.

From that booking, I went across the street pretty much to record a lot of text, while maintaining a level of enthusiasm that, if used in every day affairs, would result in repeated tazings, in a crazy short amount of time.

Like five lines in seven seconds.

This was for Optimum Online.

Which also makes cookware and batteries or something along those lines.

Before that, I played a talking dog in the style of Christopher Guest from Best In Show.

The first two are straight up television commercials, but this is a fun one: in late August or early September, on Zyrtec's web site, you will be able to play a sort of choose-your-own-adventure game involving talking dogs.

I am the bloodhound in episode two, which I believe is called Parks Unleashed.

It was fun as hell and the folks in the studio were also fun as hell.

When I came in, they were recording some sort of rap about lobster rolls.

And I continue to love my job.

The same can be said of the Optimum session: Chris, Chris, Brian (who'd won an Emmy!!!), Laura (who's voice didn't register on autotune...but that's neither here nor there), Bill, T.J. and...Melissa, I believe.

Between the actual recording session and waiting for the client to call, we all hung out and got to know one another a bit.

Very cool people, all of them.

And, thanks to one of them, T.J., I had my first Chick-a-cavo sandwich from Lenny's.

That man knows a good sandwich when he sees one.

Chicken breast, avocado, roasted red peppers, melted provolone and toasty beard.

As mentioned above: I continue to love my job.

Then, early this morning (the equivalent of 4 o'clock in the morning for you Daylighters), I was called in for yet another Comcast/Xfinity spot.

Specifically to remind folks that Boardwalk Empire is starting up again on September 29th.

Or 25th.

I'm not paid to remember, I'm paid to spit buttered leather.

AND, I found one a few days ago, that the Flumist "Pick Your Nose" campaign I was involved in was nominated for a Webby, which has something to do with Huey, Dewey and Louie's relation, that little duck chick.

Still haven't found the actual thing I was involved in...it's an app that has a bunch of different people saying "I want to pick my nose".

Could someone with a smartphone check this thing out?

Then...don't tell anyone...but I recorded a scratch track for a super secret thing that Ray is working on for Batman...or some other super secret organization.

I can't remember, but I already told you, I'm not in the remembering business.

I'm in the spitting buttered leather business.

So, in other words, I've had a pretty good run, despite my sweatiness...or...perhaps...because of it?

 

And during NONE of these recording sessions have I been dissuaded from buying an iPad.

In fact, pretty much everyone at these sessions that has one says it is fun as hell.

Consensus has pretty much been that it is more of a toy than an actual life-tool, but, fuck you, I like toys.

 

Also:

Since I obtained a Twitter account, I have been using up a lot of text messages (I have a lot of very interesting and exciting things to say) and I was reflecting that, although sometimes I find it odd that I'm writing a tiny message on a tiny keyboard when I'm holding a telephone, literally, in my hand, there are just so many things that would be weird if you called someone and said it rather than texted it.

I mean god forbid you got into a conversation with someone.

That would suck apes.

Curse this information age.

Maybe Marilyn Manson had it right when he totally coined the phrase "DISinformation age"!!

No.

No, he doesn't have anything right.

Poor guy.

 

Over the past two days I have watched Supergirl for the first time since I was 7 and, just this afternoon, Apocalypse Now.

Okay.

This is going to totally sound off the wall...but they were basically the same movie.

Basically.

Although Supergirl was a total piece of badly produced and edited shit, Faye Dunaway looked like she was having a ton of fun and some of the practical effects were actually pretty cool.

And Supergirl is a cutie.

So is Martin Sheen.

According to his son, Charlie, who is also an actor, he watches that movie once a week.

Charlie, not Martin.

And Apocalypse Now, not Supergirl.

That might give some insight to his whole...thing.

I went into Apocalypse Now knowing only that it was supposed to be nuts.

One thing stood way out and that was the creepy chaos at the last U.S. post on the river, that scene at night with all the fireworks.

Man was that effective.

Killgore was fun too.

The whole surfing thing was wonderfully surreal.

Overall though, I think I saw this way after the fact and could have done with less close ups of sweaty people's eyes.

I then found out about all the crazy shit that went on behind the scenes and decided I'm done with this one.

I would like to maybe watch some West Wing this evening, just to freak myself out.

 

Just a few moments ago I finished the Millennium trilogy.

Satisfying read, if, at times, a bit...oh, I don't know...focused on the minutia of Swedish finance.

I do get the point the author was making though, about how reading about the inner workings of the Swedish financial system is as painful as actually being ass raped.

Apparently, Stieg Larsson did not like economics as the whole trilogy was written to support that fact.

But I appreciate his dedication to the joke.

You know I do.

 

That would have been a great segue.

 

Since picking up those two Submarines albums after the Eels show, I've formulated an opinion of them.

Want to hear it?

While the lead singer's voice can be crazy saccharine at times (she sounds a lot like the lead singer of The Cardigans from time to time...fair warning) and the subject matter just so adorable and twee that listening to it is like burying your head in a bowl full of rambunctious puppies, there's a sincerity there that not only makes them tolerable, but endearing.

As for the music itself, if there were just a little less effort put into the production, this band wouldn't be worth mentioning, but the additional noises, instrumentation and layers add enough to make things interesting and to warrant repeat listening.

The songs tend to be sunny, wonderful (as in full of wonder) and joyous.

I'm referring to the two later albums, "Love Notes/Letter Bombs" and "Honeysuckle Weeks" (fae title, no?), and not their first album, "Declare A New State" which is a bit too underdeveloped for my bitchy tastes.

Standouts from the latter albums include: 1940 (a bit sexy, if you can handle it), Tigers, Swimming Pool (sweeter than an actual swimming pool full of cotton candy and Care Bears) and You, Me and The Bourgeoisie (in which they manage to make an attack on consumerism cute...it's insane).

I probably wouldn't go out and buy their albums...as I just did...but track them down on MyBook or FaceSpace and give them a listen.

You could have just lost two legs and an arm in a combine accident and they will manage to make you smile.

Try it.

 

I've also been listening to Mike and Tom Eat Snacks, a weekly podcast on which Michael Ian Black and Tom Cavanaugh (from Yogi Bear and Ed) pick, eat and rate snacks.

They deliver exactly what they promise and their friendship is evident and hilarious.

 

I have nothing else for you.

And that is a relief.