10.30.07
8:55 pm
Over the past few months, Trent Reznor has been working closely with Saul Williams on his new album, "The Inevitable Rise and Liberation of Niggy Tardust!".
They've "leaked" two tracks in anticipation of the release (11/1/07) and they are both exactly what you would expect from a Nine Inch Nails/Saul Williams collaboration.
I went back and relistened to Williams' first album, "Amethyst Rock Star", since the first time I checked it out it didn't really register with me and, upon a more thorough listen, I was fucking blown away.
Williams isn't a rapper, he is a beat poet.
What does that mean on an album?
First off, he holds a lot of disdain for the thug types and isn't afraid to call them out and tell how ridiculous they appear.
Also, his lyrics really are lyrical, they aren't just rhyming couplets.
They have a meaning that is lacking from most of the hip-hop and rap out there.
He's a bit like Zack De La Rocha but less preachy and repetitive and shrill.
The emotion he conveys is incredibly moving and entrancing as well.
It's raw and refreshing and worth taking note of.
Stand out tracks include "Penny for a Thought", "Robeson", "Fearless", "Om Nia Merican" and the amazing, epic, album closer, "Wine".
If you listen to rap or hip-hop and are tired of hearing about cars and bling, check him out, it's really powerful stuff.
To hear two of the Reznor produced tracks, go to www.nin.com.
10.30.2007
10.23.2007
Hmmm...
I've been watching the third season of the (American) Office and Ed Helms looks a lot like John Flansburgh.
10.22.2007
Banana/The Best Day Of My Life
10.22.07
6:39pm
I just enjoyed a banana.
What a whimsical fruit, the banana.
The shape, the color, the peeling.
And it's the only fruit whose skin becomes a deadly booby trap when cast strategically on the floor.
So, last Wednesday was the best day of my life, thanks to both Megan Boggia and Bill Kates, respectively.
I could go into detail and geek out here, but since this is a VERY relative and esoteric "best day ever" and I already wrote a five page journal entry in regards to it, I won't.
I'll just sum it all up:
My friend Bill (XM dude) got me into a They Might Be Giants recording session at a studio downtown.
The first part of the day was them laying down elements on a new project they're doing, the next part was a ten song mini-concert for which the only audience was TMBG's producer, Pat Dillett, Bill and me and the final part was an excellent, informative, personal and hilarious interview conducted by Bill with John and John...and me, the tallest goddamn fly on the wall ever.
It was, seriously, one of THE BEST DAYS of my life.
Thank you Meg, thank you Bill, you have collectively rocked my boat xmax.
In other, SLIGHTLY less life-defining news, Ray and I have filmed something called "The Best Sandwich Ever!".
Last night at about 10 the theme song came out of my mouth and it didn't stop until around 4.
Luckily I was able to get a recording device in front of it.
Hopefully, we will be screening the film at the party on Sunday.
It will destroy you.
I guarantee.
So be there or remain intact, pussy.
6:39pm
I just enjoyed a banana.
What a whimsical fruit, the banana.
The shape, the color, the peeling.
And it's the only fruit whose skin becomes a deadly booby trap when cast strategically on the floor.
So, last Wednesday was the best day of my life, thanks to both Megan Boggia and Bill Kates, respectively.
I could go into detail and geek out here, but since this is a VERY relative and esoteric "best day ever" and I already wrote a five page journal entry in regards to it, I won't.
I'll just sum it all up:
My friend Bill (XM dude) got me into a They Might Be Giants recording session at a studio downtown.
The first part of the day was them laying down elements on a new project they're doing, the next part was a ten song mini-concert for which the only audience was TMBG's producer, Pat Dillett, Bill and me and the final part was an excellent, informative, personal and hilarious interview conducted by Bill with John and John...and me, the tallest goddamn fly on the wall ever.
It was, seriously, one of THE BEST DAYS of my life.
Thank you Meg, thank you Bill, you have collectively rocked my boat xmax.
In other, SLIGHTLY less life-defining news, Ray and I have filmed something called "The Best Sandwich Ever!".
Last night at about 10 the theme song came out of my mouth and it didn't stop until around 4.
Luckily I was able to get a recording device in front of it.
Hopefully, we will be screening the film at the party on Sunday.
It will destroy you.
I guarantee.
So be there or remain intact, pussy.
10.05.2007
Ridiculous
http://www.youtube.com/watch?v=ZdsUMhUxM8w
Can ANYONE make out a fucking thing he is saying?
Can ANYONE make out a fucking thing he is saying?
9.28.2007
tres grand mal beaucoup or T. Thaddeus Cocksucker in '08!!!
9.28.07
4:23 pm
"Slumber, watcher, 'til the spheres,
six and twenty thousand years
have revolv'd, and I return
to the spot where now I burn.
Other stars anon shall rise
to the axis of the skies;
stars that soothe and stars that bless
with a sweet forgetfulness:
only when my round is o'er
shall the past disturb thy door."
-H.P. Lovecraft
'Polaris'
Other than that I was reflecting on the fact that the two major types of seizure ('petit mal' and 'grand mal') just mean 'small bad' and 'big bad' in French.
Never really thought about it before, but I think it's kind of funny.
"What happened to my father?"
"Oh, he had a big bad seizure."
"Are you making fun of me?"
"Hell yes, fatty."
You know.
YOU know.
YOU.
I also think that our next President should be named T. Thaddeus Cocksucker Jr.
Man, that's a great name...and a great man.
4:23 pm
"Slumber, watcher, 'til the spheres,
six and twenty thousand years
have revolv'd, and I return
to the spot where now I burn.
Other stars anon shall rise
to the axis of the skies;
stars that soothe and stars that bless
with a sweet forgetfulness:
only when my round is o'er
shall the past disturb thy door."
-H.P. Lovecraft
'Polaris'
Other than that I was reflecting on the fact that the two major types of seizure ('petit mal' and 'grand mal') just mean 'small bad' and 'big bad' in French.
Never really thought about it before, but I think it's kind of funny.
"What happened to my father?"
"Oh, he had a big bad seizure."
"Are you making fun of me?"
"Hell yes, fatty."
You know.
YOU know.
YOU.
I also think that our next President should be named T. Thaddeus Cocksucker Jr.
Man, that's a great name...and a great man.
9.11.2007
amar-me é temer me e o versa vice
So, my friend Genevieve (who works at the Jeffery Group) did something beautiful...
Go to www.thejeffreygroup.com/worldview then click either Portuguese or Spanish.
See anyone sexy?
And just to clarify, no, I have not actually BEEN to Latin America, but yes, my image has been found there, carved into stones more than 50 million years old.
Go to www.thejeffreygroup.com/worldview then click either Portuguese or Spanish.
See anyone sexy?
And just to clarify, no, I have not actually BEEN to Latin America, but yes, my image has been found there, carved into stones more than 50 million years old.
8.22.2007
SO over him...
Just watched the latest music video from Marilyn Manson.
And I am officially uninterested in what he does or says for the rest of his shark-jumping career.
Two words: shit sandwich.
And I am officially uninterested in what he does or says for the rest of his shark-jumping career.
Two words: shit sandwich.
8.21.2007
Letting go of yet another dirty day
8.21.07
Went to the
96th street
branch of the New York Public Library yesterday on my break.I'm honestly surprised that more people aren't illiterate.
This place was about a half step above a crackhouse.
Everything about it screamed lack of funding.
It was very depressing.
That depression was replaced by confused elation at my audition earlier today in which I played a shaven Sasquatch, and then it was replaced again by a far more personal sense of depression when I learned that I will NOT be featured in the upcoming Beyonce Armani Diamonds commercial.
The money is still the same and I'm sure I'll buck up when that massive whale penis check comes in but, shit, you know?
That Beyonce thing would have been on the Internet for centuries.
Fucking fickle ass French.
Fucking Ben (Ben is the flaming bag of dog farts that Mr. Armani decided to go with instead of my sexy length).
And again for the fucking asshole fickle French.
And (why the fuck not?) for Beyonce.
What about those other two girls in Destiny's Child?!
How can you just flush their hopes and dreams down the toilet like so much aborted fetal (yes fetal, not fecal) matter?
I can picture it now: Beyonce walks off stage at some goddamn award show and her cell rings.
"Hey Bee, it's one of the girls from Destiny's Child...don't suppose you're ready to do another album?"
"Oh, shoot, I'd love to, but I'm going to be in Idlewild II with Outkast."
"Oh. Okay. Hey, no, that's totally cool. Me and the other girl from Destiny's Child are doing great. But, (minute tremor enters her voice here) it sure would be fun to get the band back together again, you know? (slightest rasp of desperation in her voice here) Keep in touch!"
Click.
Always click.
8.10.2007
Out.
Going to Ocean City for a week.
I will think of you and eat fudge.
I will think of you and eat fudge.
8.09.2007
Feel my art.
HERE.
I have updated my youtube.
It will cure cancer, blindness, homosexuality, AIDS, splinters, creeping numbness, stomping numbness and harelips.
If you are lonely, it will give you what you need, be it companionship or orgasm or both.
If you need a hand to hold, a shoulder to cry on and soul to match yours, you will find it within my updated youtube.
I am not exaggerating.
Again, HERE is what you are looking for.
HERE is where you need to be.
I have updated my youtube.
It will cure cancer, blindness, homosexuality, AIDS, splinters, creeping numbness, stomping numbness and harelips.
If you are lonely, it will give you what you need, be it companionship or orgasm or both.
If you need a hand to hold, a shoulder to cry on and soul to match yours, you will find it within my updated youtube.
I am not exaggerating.
Again, HERE is what you are looking for.
HERE is where you need to be.
8.08.2007
"The human wang is a beautiful thing."
And mine is more beautiful than some.
All right, so I have started my youtube deluge.
I have a few more things to add and then I will personally message each and every person on my goddamn myspace friends list and tell them, personally, to check out my beautiful wang.
All right, so I have started my youtube deluge.
I have a few more things to add and then I will personally message each and every person on my goddamn myspace friends list and tell them, personally, to check out my beautiful wang.
8.02.2007
Let’s Get Hetero!
7.31.07
7:32 PM
So, first, anyone remember Imi Kamoze and his goddamn annoying song "Here Comes the Hot Stepper"?
I just heard it in a Subway and suddenly everything went dark.
I hate that fucking song and I hope a lot of people bought the entire album thinking it would be just as "good" as the single.
Also, I heard some shitty remake of the excellent SWV/MJ hit "Human Nature".
It was shitty, but it served to remind me of how good the original is.
I will download it tonight.
Second, has anyone seen the posters and print ads for the final Jason Bourne movie?
Whatever gets revealed to him must have instantaneously lobotomized him because in every picture he looks like his ass just fell out.
Third, I finished the last Harry Potter book but for those who haven't finished it, I'll keep mum.
I think the movie should be good if they just make it four hours or so.
Fourthly, Philip is now a resident of Long Island City.
He is in our hearts no longer, for now he is in our hallway.
Literally.
And he has brought with him the most "aggressively heterosexual" music ever.
A man-thing called Mika.
Find and download the song "Lollipop" and then dance your genitals off.
And fifthly and finally, I am a bristle length away from finishing "Ache, Spin, Die, Repeat", a short film project that I wrote at the beginning of 2005 and which was filmed a few weeks ago with Christina Girlfriend and Christina Nongirlfriend.
It is my most ambitious foray into filmmaking thus far and I am incredibly happy with it.
As soon as I am finished with it, I shall bombard youtube with some beautiful tits that will make you weep tears of Milk and Glory.
Thank you.
P.S. Also, Hot Fuzz came out on DVD today and I bought it.
Without permission.
I shall be punished with the Stick of Destiny for sure, but it will be worth it.
8.1.07
8:11 PM
Sweet and sweaty breastmeat.
I saw a super jubilant sparrow hopping around today and I realized that I enjoy watching sparrows hop.
It soothes me.
Sooooothes. Meeeeee.
Also, I realized that I could never work at Subway because, seriously, how many times do you think I could listen to people demanding a "six inch hearty Italian" without making a remark that would get me ousted by the Subway Triumvirate?
And I am now 99.7% finished with ASDR, needing only a tweak to the credits to finish it up.
There is joy in my pants.
Can you see it?
**************************************************
Since these last two entries, I have finished ASDR and been given a toffee (Worther's Original) by a priest with a gastric bypass.
Things are good.
7:32 PM
So, first, anyone remember Imi Kamoze and his goddamn annoying song "Here Comes the Hot Stepper"?
I just heard it in a Subway and suddenly everything went dark.
I hate that fucking song and I hope a lot of people bought the entire album thinking it would be just as "good" as the single.
Also, I heard some shitty remake of the excellent SWV/MJ hit "Human Nature".
It was shitty, but it served to remind me of how good the original is.
I will download it tonight.
Second, has anyone seen the posters and print ads for the final Jason Bourne movie?
Whatever gets revealed to him must have instantaneously lobotomized him because in every picture he looks like his ass just fell out.
Third, I finished the last Harry Potter book but for those who haven't finished it, I'll keep mum.
I think the movie should be good if they just make it four hours or so.
Fourthly, Philip is now a resident of Long Island City.
He is in our hearts no longer, for now he is in our hallway.
Literally.
And he has brought with him the most "aggressively heterosexual" music ever.
A man-thing called Mika.
Find and download the song "Lollipop" and then dance your genitals off.
And fifthly and finally, I am a bristle length away from finishing "Ache, Spin, Die, Repeat", a short film project that I wrote at the beginning of 2005 and which was filmed a few weeks ago with Christina Girlfriend and Christina Nongirlfriend.
It is my most ambitious foray into filmmaking thus far and I am incredibly happy with it.
As soon as I am finished with it, I shall bombard youtube with some beautiful tits that will make you weep tears of Milk and Glory.
Thank you.
P.S. Also, Hot Fuzz came out on DVD today and I bought it.
Without permission.
I shall be punished with the Stick of Destiny for sure, but it will be worth it.
8.1.07
8:11 PM
Sweet and sweaty breastmeat.
I saw a super jubilant sparrow hopping around today and I realized that I enjoy watching sparrows hop.
It soothes me.
Sooooothes. Meeeeee.
Also, I realized that I could never work at Subway because, seriously, how many times do you think I could listen to people demanding a "six inch hearty Italian" without making a remark that would get me ousted by the Subway Triumvirate?
And I am now 99.7% finished with ASDR, needing only a tweak to the credits to finish it up.
There is joy in my pants.
Can you see it?
**************************************************
Since these last two entries, I have finished ASDR and been given a toffee (Worther's Original) by a priest with a gastric bypass.
Things are good.
Labels:
Ache/Spin/Die/Repeat,
Creative Endeavor,
Ramble
7.20.2007
You say you've got some very excellent news...
Bill sent me the XM Comedy Ladies' Night stuff I did and I am one talented motherfucker.
If only ANYONE I KNEW had XM.
Well, fuck it.
If you want to hear it, fucking ask me and I'll send it to you.
Also, Bill informs me that the TMBG XM studio thing (15-20 person audience for a short set) will take place on the 8th, so I'm gonna knock out of work that day and just soak in TMBG.
Good way to make up for missing the first show because of bowel shaking earthquakes of doubt and remorse (read diarrhea).
Shot 'Ache, Spin, Die, Repeat' last weekend and recorded the music earlier today.
It should be in editing in a few.
Feeling rompy.
Also, by this time next week, Philiston J. Tuckerton will be an official resident of New York State.
Ladies, don't even bother with the birth control pills, just have all your eggs removed because this man is POTENT.
Welcome to Fucktown.
Population: you.
If only ANYONE I KNEW had XM.
Well, fuck it.
If you want to hear it, fucking ask me and I'll send it to you.
Also, Bill informs me that the TMBG XM studio thing (15-20 person audience for a short set) will take place on the 8th, so I'm gonna knock out of work that day and just soak in TMBG.
Good way to make up for missing the first show because of bowel shaking earthquakes of doubt and remorse (read diarrhea).
Shot 'Ache, Spin, Die, Repeat' last weekend and recorded the music earlier today.
It should be in editing in a few.
Feeling rompy.
Also, by this time next week, Philiston J. Tuckerton will be an official resident of New York State.
Ladies, don't even bother with the birth control pills, just have all your eggs removed because this man is POTENT.
Welcome to Fucktown.
Population: you.
7.13.2007
Sexy boing boing.
7.13.07
Excellent, excellent day.
First off, I FINALLY did the XM thing and it was, well, excellent.
Anyone with XM who listens to the Comedy channel (150), you will hear me promoting their "Ladies Night" program.
It was great to get to show Bill that I'm very good at what I do.
I'm being immodest and loving it.
It went perfectly.
After that I had a delicious tuna salad sandwich (garnished lightly with lettuce and tomato).
And thirdly, throughout the day, I've been digging the latest Rasputina album, 'Oh Perilous World'.
(I subtitled this last portion 'Soot Flavored Cello')
Just to start, THEY ARE NOT A GIMMICK.
They are solid musicians who have a tasty definitive style that kicks ass.
At first they might be hard to get into, the lead singer's (Melora) vocals can be a bit...spastic?
Plus some of the electric manipulations done to the cellos might kill a few people.
But their songs are unique and dynamic and there is beauty among the creepy burnt out hovels through which their music takes the listener.
If I had to pigeonhole them, I would label them historical natural disaster electro cello pop.
And a beefy bag of fuck you to anyone who can describe them better.
Stand out tracks include: Cage In A Cave, Draconian Crackdown and A Retinue of Moon/ The Infidel Is Me.
Other crispy bits include: Choose Me For Champion and Oh Bring Back The Egg Unbroken.
And to wrap this delightful 13th in a shiny vinyl raincoat, I was contacted earlier and informed that I have to rerecord something I did a few weeks ago which means double my money.
What else can I say but sexy boing boing?
Nothing.
Sexy boing boing.
Excellent, excellent day.
First off, I FINALLY did the XM thing and it was, well, excellent.
Anyone with XM who listens to the Comedy channel (150), you will hear me promoting their "Ladies Night" program.
It was great to get to show Bill that I'm very good at what I do.
I'm being immodest and loving it.
It went perfectly.
After that I had a delicious tuna salad sandwich (garnished lightly with lettuce and tomato).
And thirdly, throughout the day, I've been digging the latest Rasputina album, 'Oh Perilous World'.
(I subtitled this last portion 'Soot Flavored Cello')
Just to start, THEY ARE NOT A GIMMICK.
They are solid musicians who have a tasty definitive style that kicks ass.
At first they might be hard to get into, the lead singer's (Melora) vocals can be a bit...spastic?
Plus some of the electric manipulations done to the cellos might kill a few people.
But their songs are unique and dynamic and there is beauty among the creepy burnt out hovels through which their music takes the listener.
If I had to pigeonhole them, I would label them historical natural disaster electro cello pop.
And a beefy bag of fuck you to anyone who can describe them better.
Stand out tracks include: Cage In A Cave, Draconian Crackdown and A Retinue of Moon/ The Infidel Is Me.
Other crispy bits include: Choose Me For Champion and Oh Bring Back The Egg Unbroken.
And to wrap this delightful 13th in a shiny vinyl raincoat, I was contacted earlier and informed that I have to rerecord something I did a few weeks ago which means double my money.
What else can I say but sexy boing boing?
Nothing.
Sexy boing boing.
7.11.2007
Megan Boggia is the Queen of the Galaxy
7.11.07
Thanks to Megan Boggia (the aforementioned Queen of the Galaxy) today began with a super special treat.
John and John of TMBG were interviewed via phone by Bob Edwards (NPR demigod) at the Manhattan XM satellite radio studios at
Columbus Circle
and I was one of the four people sitting in the mixing booth right there, watching and listening.Thanks to Megan Boggia (the aforementioned Queen of the Galaxy) today began with a super special treat.
John and John of TMBG were interviewed via phone by Bob Edwards (NPR demigod) at the Manhattan XM satellite radio studios at
The interview will pop up somewhere on XM at some point so I won't go into that, but I will go into how freaked out I was that my presence would unnerve the Johns.
I have been spotted at several concerts in recent years (and referred to as "the tall guy" on more than three occasions) and I didn't want them to freak because, hey, I'm just this fan of theirs that somehow got into XM studios.
Turns out I was overreacting.
For the first time in my life.
They were totally mellow during the interview and afterwards, they signed Megan's CD and we all chatted for a bit.
I think the biggest thing is that when they're in a concert or at a signing or any other public situation they put on their "scared of their fans" hats, but when it's just close friends (like XM honcho Bill Kates, who I am FINALLY getting together with on Friday afternoon) and/or people who should be there (people from Central Booking who got TMBG to the studio) and/or people who aren't making a big deal that they're there (me is latter) they're much more relaxed.
Or perhaps they were just trying not to make any sudden moves for fear I smell their terror and swallow them whole.
Whichever.
The point is it went totally smooth and I neither freaked them out, freaked myself out nor made a freak of myself.
Score one for the home team.
During the interview (which I will now touch upon, thereby negating my earlier statement about not going into it) they (obviously) talked about elements of the new album (a very interesting bit of back story about the last track, 'The Mesopotamians', was revealed and it will hopefully turn into to something great), the costumes that Marcel Ozama designed and created for the album art (which was shot at a cabin in the Catskills and, sadly, features none of the band dressed up, merely close friends of the Johns that volunteered to be a part of it) and how much they've really grown to dislike being called 'quirky' after 25 years of making music.
The whole morning was great and I feel less like a creepy fan and more like a less creepy fan.
Victory tastes like a grande skim vanilla latte.
And it's all because of Megan, who remains a true shining star in my Galaxy of Friends and Loved Ones (not to be confused with the galaxy of which she is the Queen mentioned in the first line of this entry and its title; that refers to the ACTUAL galaxy mentioned by NASA, popular fiction and www.spacealumni.com).
4.20.2007
I am Vengeance, I am the Night...I AM BACARDI
4.20.07
Good day.
Yesterday I had an excellent audition for a Grey Goose VO. I found out later that day that I booked it and was to record it around 6.
I returned to House Productions and was on my way to lay it down when I received the first and most amazing and sincere compliment from someone in the business.
I'll spare you the esoteric details, but it was just Pure Everything and it made me feel like a Universe.
That night, I return home, feeling like a sweater; I awake the next morning (THIS morning, brethren and sistren) at plus forty seven to my phone informing me that it is bringing sexy back.
I answer it a moment too late and contact my voice mail robot a moment later.
It's my manager's office informing me, not that he intends to aid or impede my phone's efforts to bring sexy back, but that I'm booked to do the Grey Goose recording THIS afternoon at 2.
Me was puzzled.
So I called back to find out if this particular office guy was celebrating 4/20 a bit early.
After a minute of hold time, I am informed that no one knows what is going on but I have to be at a place called Radical Media (where, onJanuary 23rd, 2004 I recorded a little piece of the Divine called "One Muscle") in a little under 90 minutes.
Like a cloud in a rainstorm, I materialize there, full of moisture and I am then introduced to the head of Grey Goose's creative department who gives me some notes and tells me he likes, very much, with which I present these words.
I then do my thing as only I can do it and, while blurring through the incomprehensible tempest of paperwork afterwards, I find out that I am being paid TRIPLE what was originally stated.
I did not argue.
Later that day, I had really good pizza with peppers and pepperoni.
It was perpper-rific.
This GG thing isn't sure what it wants to be right now, apparently it is a demo for something, but I wasn't told what. I will have a link to it by Sunday night or so, if anyone is interested.
Good day.
Yesterday I had an excellent audition for a Grey Goose VO. I found out later that day that I booked it and was to record it around 6.
I returned to House Productions and was on my way to lay it down when I received the first and most amazing and sincere compliment from someone in the business.
I'll spare you the esoteric details, but it was just Pure Everything and it made me feel like a Universe.
That night, I return home, feeling like a sweater; I awake the next morning (THIS morning, brethren and sistren) at plus forty seven to my phone informing me that it is bringing sexy back.
I answer it a moment too late and contact my voice mail robot a moment later.
It's my manager's office informing me, not that he intends to aid or impede my phone's efforts to bring sexy back, but that I'm booked to do the Grey Goose recording THIS afternoon at 2.
Me was puzzled.
So I called back to find out if this particular office guy was celebrating 4/20 a bit early.
After a minute of hold time, I am informed that no one knows what is going on but I have to be at a place called Radical Media (where, on
Like a cloud in a rainstorm, I materialize there, full of moisture and I am then introduced to the head of Grey Goose's creative department who gives me some notes and tells me he likes, very much, with which I present these words.
I then do my thing as only I can do it and, while blurring through the incomprehensible tempest of paperwork afterwards, I find out that I am being paid TRIPLE what was originally stated.
I did not argue.
Later that day, I had really good pizza with peppers and pepperoni.
It was perpper-rific.
This GG thing isn't sure what it wants to be right now, apparently it is a demo for something, but I wasn't told what. I will have a link to it by Sunday night or so, if anyone is interested.
4.07.2007
Table of Continents
4.6.07
8:40 pm
On my way back to work today, a man tried to get my attention and then tapped my shoulder as I passed. I turned and took off my headphones, eyebrows raised in polite inquiry.
He said, "I'm sorry to stop you, but I wanted to let you know that Jesus Christ loves you."
I had only a split second to take him in.
He was wide-eyed and seemed a touch on the zealous side so I decided it would be better not to ask him to prove it or anything along the lines of a sarcastic remark.
Instead, I said, "Great", then continued walking.
Anyway, me and Christ and going to check out this 'Grindhouse' madness this weekend and maybe harbor some bi-polar nutball's dogs.
The Fun has just Begun.
Rocket.
8:40 pm
On my way back to work today, a man tried to get my attention and then tapped my shoulder as I passed. I turned and took off my headphones, eyebrows raised in polite inquiry.
He said, "I'm sorry to stop you, but I wanted to let you know that Jesus Christ loves you."
I had only a split second to take him in.
He was wide-eyed and seemed a touch on the zealous side so I decided it would be better not to ask him to prove it or anything along the lines of a sarcastic remark.
Instead, I said, "Great", then continued walking.
Anyway, me and Christ and going to check out this 'Grindhouse' madness this weekend and maybe harbor some bi-polar nutball's dogs.
The Fun has just Begun.
Rocket.
4.05.2007
Year Zero- The first 24 hours
4.5.07
3:34 am
Nine Inch Nails - Year Zero
First full listen.
Convoluted, messy, sloppy.
All blurred together.
HYPERPOWER!- Intro. Not as huge as it could be. Certainly not up there with 'Pinion' as an intro track.
THE BEGINNING OF THE END- Not impressed. Drums and guitars.
SURVIVALISM- Perfect single. Bit repetitive, but it fits.” Hypnotic sound of siren/echoing through the street/the cocking of the rifles/the marching of the feet". Chills.
THE GOOD SOLIDER- Love it. Very standout to me.
VESSEL- Great track. Distinguishable.
ME, I'M NOT- Seems a bit vague. Need to see lyrics. Not very challenging.
CAPITAL G- Has some great elements, but not too standout yet.
MY VIOLENT HEART- A bit lackluster. Content marred by form.
THE WARNING- Blah. Vague. 'Space alien' song. Too sci-fi. Nothing memorable about it.
GOD GIVEN- Another bland flop. Noisefest with little substance.
MEET YOUR MASTER- Remember liking it. Not great, but good. People vs. Govt.
THE GREATER GOOD- 'The Great Collapse' with kalimbas and harp. Too much whispering. Need lyrics.
THE GREAT DESTROYER- Interesting. End with just noise is a bit much.
ANOTHER VERSION OF THE TRUTH- Amazing. Amazing. Amazing.
IN THIS TWILIGHT- Perfect. Could be longer. Love the imagery and the vocals. Standout xmax.
ZERO SUM- Again, too many whispers, although the lyrics I heard didn't sound incredible. End was great though.
Bottom line: I need to hear it about 100,000 more times.
I think that fact that that is my first reaction is promising.
A lot of it just sounds pointlessly messy right now.
Also need lyrics.
Also need part two to see whole picture.
I've never had this negative of a reaction to a NIN album.
Actually was bored with several songs.
I'm sure I'll end up lauding the shit out of it, but for now, not amazed with a lot of it.
5:09 am
(after second listen)
I like it better already.
3:06 pm
(after fourth listen)
More to say:
H- I don't think that this will ever be more than an "intro-mental" to me. Like it a bit more than 'Pilgrimage'. I think that says a lot.
TBOTE- Still meh. Kicks in around the second chorus, but still meh. Sets the tone well, I suppose, but the instrumentation just doesn't do anything for me. What's interesting though is the (comparatively) organic feel of it. This is the only track that has straight drums (intro drums remind me of 'My Sherona') and guitars with a bare minimum of distortion and noise. I guess this is a 2nd intro; with words this time.
S- Just a solid fucking track. Sets the trend of the extended outro that sort of clings to this album...like soap scum in some cases.
TGS- Love the way the words are put together and delivered. Got to say the vibraphone is a strange choice. Not a good choice in my opinion. Also, I could do with more lyrics. Another extended outro, but not annoying.
V- Excellent beat. Verses are a bit clichéd, but then again, so is drug use. The outro on this is WAY too long and just noisy for the sake of noisy.
MIN- I don't get the song yet. Seems to be about someone learning to revolt? Not sure. Need some insight because without it I'm not crazy about this track. Yet another loud and painful outro.
CG- Keeps reminding me of The Way You Make Me Feel" by Michael Jackson. Only in the way that MIN reminds me of Depeche Mode's 'Home' (as in just the beginning beat). Interesting delivery from Reznor. Almost sounds like a sports chant. The chorus is great, love the chords.
MVH- Grown on me. Still think the music is a bit lacking, but in time I'm sure I'll start calling it "sparse". Like the lyrics. Very civilian army. Very confrontational. Seems to compliment 'Meet Your Master'. Outro is just fine. In other words, not painfully loud and long.
TW- I know I said it was vague. Let me clarify. I suppose what I meant is that it's too straightforward. "We've been watching you. Clean up your act." 'The Warning' is a warning. WHAT the "Presence" is is still vague. Plus the wiggly, slightly country-esque guitar I could do without. I like the treatment done to Reznor's voice.
GG- Another interesting delivery from Reznor. Interesting but not amazing. His exhortations (Come on! Everybody! Sing along!) seem a bit forced, but that might be because I've never heard Reznor exhorting people to do anything like that. For some reason this track makes me think of 'Born Again'. Outro wasn't terrible, but a bit excessive. Also, at one point in the song there is a background noise (like a wibbly-wobbly bass note being sodomized) that is VERY similar to the one in 'Survivalism'. With such a range of sonic blurts and ejaculations, why was this one (or one close to it) repeated? Takes me further out of the song.
MYM- Grown on me. I like the 'spit in your face' delivery. Need to find out what the lyrics are exactly and I'm sure my enjoyment will treble. Problem is every time I hear a song with "Master" being yelled, I hear 'Master of Puppets". And I don't even OWN that album.
TGG- Meh. Still sounds like a beefed up version of 'The Great Collapse' with lyrics, kalimbas and a harp (?). The differences between the instrumental version and the album version aren’t significant enough for me yet. The kalimbas feel like the vibraphone but more jarring. Kalimbas for the sake of kalimbas. The words chanted at the end ("persuasion, coercion, submission, assimilation") give this track some context and credibility.
TGD- I like this a lot. Sort of like MVH and MYM but more personal. The power of one. Great chorus but like a lot of my favorite tracks the meaty part of the song tends to end too soon leaving me with...an annoying and pointless outro. A lot of it feels very Aphex Twin-ish but what is the point? It feels like filler most of the time.
AVOTT- For me, this is just as perfect and as powerful as 'Leaving Hope'. It has such a hopeless, "I've been lied to, used and discarded' feel to it that I find it strange it isn't the last track on the album.
ITT- Only problem with this is that it's too short. Beautiful and terrible like a mushroom cloud. I love Reznor's voice in this. It could be two verses longer. I enjoy the use of the noise that's been a theme in the album, but without it being abrasive and loud. Really an excellent song. VERY cinematic.
ZS- Very solid ending. Very dark. Very inconclusive. Parts of this sound like Peter Gabriel's 'The Drop' (actually a lot of YZ sort of reminds me of his 'Up' album) and the piano reminds me of Thom Yorke's beautiful track 'Analyze'. Like some of the other tracks, I don't think I will be able to fully grasp this one until I see the lyrics.
Bottom line: Already getting better. In the case of the long, blippy, Aphex-y outros, I really can't picture myself getting into those. There's no beautiful piano, haunting violin or delicate vocals hidden beneath them, just more error noises. Who knows?
All of these mini-reviews are, of course, prefaced with the phrase "At This Point".
This is a very good album.
I just need all of me to believe that.
3:34 am
Nine Inch Nails - Year Zero
First full listen.
Convoluted, messy, sloppy.
All blurred together.
HYPERPOWER!- Intro. Not as huge as it could be. Certainly not up there with 'Pinion' as an intro track.
THE BEGINNING OF THE END- Not impressed. Drums and guitars.
SURVIVALISM- Perfect single. Bit repetitive, but it fits.” Hypnotic sound of siren/echoing through the street/the cocking of the rifles/the marching of the feet". Chills.
THE GOOD SOLIDER- Love it. Very standout to me.
VESSEL- Great track. Distinguishable.
ME, I'M NOT- Seems a bit vague. Need to see lyrics. Not very challenging.
CAPITAL G- Has some great elements, but not too standout yet.
MY VIOLENT HEART- A bit lackluster. Content marred by form.
THE WARNING- Blah. Vague. 'Space alien' song. Too sci-fi. Nothing memorable about it.
GOD GIVEN- Another bland flop. Noisefest with little substance.
MEET YOUR MASTER- Remember liking it. Not great, but good. People vs. Govt.
THE GREATER GOOD- 'The Great Collapse' with kalimbas and harp. Too much whispering. Need lyrics.
THE GREAT DESTROYER- Interesting. End with just noise is a bit much.
ANOTHER VERSION OF THE TRUTH- Amazing. Amazing. Amazing.
IN THIS TWILIGHT- Perfect. Could be longer. Love the imagery and the vocals. Standout xmax.
ZERO SUM- Again, too many whispers, although the lyrics I heard didn't sound incredible. End was great though.
Bottom line: I need to hear it about 100,000 more times.
I think that fact that that is my first reaction is promising.
A lot of it just sounds pointlessly messy right now.
Also need lyrics.
Also need part two to see whole picture.
I've never had this negative of a reaction to a NIN album.
Actually was bored with several songs.
I'm sure I'll end up lauding the shit out of it, but for now, not amazed with a lot of it.
5:09 am
(after second listen)
I like it better already.
3:06 pm
(after fourth listen)
More to say:
H- I don't think that this will ever be more than an "intro-mental" to me. Like it a bit more than 'Pilgrimage'. I think that says a lot.
TBOTE- Still meh. Kicks in around the second chorus, but still meh. Sets the tone well, I suppose, but the instrumentation just doesn't do anything for me. What's interesting though is the (comparatively) organic feel of it. This is the only track that has straight drums (intro drums remind me of 'My Sherona') and guitars with a bare minimum of distortion and noise. I guess this is a 2nd intro; with words this time.
S- Just a solid fucking track. Sets the trend of the extended outro that sort of clings to this album...like soap scum in some cases.
TGS- Love the way the words are put together and delivered. Got to say the vibraphone is a strange choice. Not a good choice in my opinion. Also, I could do with more lyrics. Another extended outro, but not annoying.
V- Excellent beat. Verses are a bit clichéd, but then again, so is drug use. The outro on this is WAY too long and just noisy for the sake of noisy.
MIN- I don't get the song yet. Seems to be about someone learning to revolt? Not sure. Need some insight because without it I'm not crazy about this track. Yet another loud and painful outro.
CG- Keeps reminding me of The Way You Make Me Feel" by Michael Jackson. Only in the way that MIN reminds me of Depeche Mode's 'Home' (as in just the beginning beat). Interesting delivery from Reznor. Almost sounds like a sports chant. The chorus is great, love the chords.
MVH- Grown on me. Still think the music is a bit lacking, but in time I'm sure I'll start calling it "sparse". Like the lyrics. Very civilian army. Very confrontational. Seems to compliment 'Meet Your Master'. Outro is just fine. In other words, not painfully loud and long.
TW- I know I said it was vague. Let me clarify. I suppose what I meant is that it's too straightforward. "We've been watching you. Clean up your act." 'The Warning' is a warning. WHAT the "Presence" is is still vague. Plus the wiggly, slightly country-esque guitar I could do without. I like the treatment done to Reznor's voice.
GG- Another interesting delivery from Reznor. Interesting but not amazing. His exhortations (Come on! Everybody! Sing along!) seem a bit forced, but that might be because I've never heard Reznor exhorting people to do anything like that. For some reason this track makes me think of 'Born Again'. Outro wasn't terrible, but a bit excessive. Also, at one point in the song there is a background noise (like a wibbly-wobbly bass note being sodomized) that is VERY similar to the one in 'Survivalism'. With such a range of sonic blurts and ejaculations, why was this one (or one close to it) repeated? Takes me further out of the song.
MYM- Grown on me. I like the 'spit in your face' delivery. Need to find out what the lyrics are exactly and I'm sure my enjoyment will treble. Problem is every time I hear a song with "Master" being yelled, I hear 'Master of Puppets". And I don't even OWN that album.
TGG- Meh. Still sounds like a beefed up version of 'The Great Collapse' with lyrics, kalimbas and a harp (?). The differences between the instrumental version and the album version aren’t significant enough for me yet. The kalimbas feel like the vibraphone but more jarring. Kalimbas for the sake of kalimbas. The words chanted at the end ("persuasion, coercion, submission, assimilation") give this track some context and credibility.
TGD- I like this a lot. Sort of like MVH and MYM but more personal. The power of one. Great chorus but like a lot of my favorite tracks the meaty part of the song tends to end too soon leaving me with...an annoying and pointless outro. A lot of it feels very Aphex Twin-ish but what is the point? It feels like filler most of the time.
AVOTT- For me, this is just as perfect and as powerful as 'Leaving Hope'. It has such a hopeless, "I've been lied to, used and discarded' feel to it that I find it strange it isn't the last track on the album.
ITT- Only problem with this is that it's too short. Beautiful and terrible like a mushroom cloud. I love Reznor's voice in this. It could be two verses longer. I enjoy the use of the noise that's been a theme in the album, but without it being abrasive and loud. Really an excellent song. VERY cinematic.
ZS- Very solid ending. Very dark. Very inconclusive. Parts of this sound like Peter Gabriel's 'The Drop' (actually a lot of YZ sort of reminds me of his 'Up' album) and the piano reminds me of Thom Yorke's beautiful track 'Analyze'. Like some of the other tracks, I don't think I will be able to fully grasp this one until I see the lyrics.
Bottom line: Already getting better. In the case of the long, blippy, Aphex-y outros, I really can't picture myself getting into those. There's no beautiful piano, haunting violin or delicate vocals hidden beneath them, just more error noises. Who knows?
All of these mini-reviews are, of course, prefaced with the phrase "At This Point".
This is a very good album.
I just need all of me to believe that.
3.27.2007
Goddamn right it's a beautiful day...
...but not for me.
Never for me.
Just kidding.
Just found out that TMBG are playing two shows at Joe's Pub at 9pm and 11pm on Wednesday the 16th of May.
I will probably just go to the 11 o'clock show.
You should come.
Seriously.
You should!
We could hang out before and get dinner or something.
Maybe share a soda?
And a glance...
Also, I am in that shitty, short and unappetizing baseball play this weekend.
It's called something or other and it's playing as part of a series of plays about baseball (the fuck?) at 5pm on Saturday and Sunday.
The address of the theater is 123 E. 24th street and that's really all I know.
I think the whole program is called the Sports Complex or some fucking thing.
Don't bother showing up unless you want to see me wearing baseball pants and pretending to give a shit about baseball.
And I'll do that for free if you want to just make an appointment.
Had a very solid audition today which I probably won't get because WHITEY IS KEEPING ME DOWN.
Have a VO audition for a "personal lubricant" called (I shit ye not) "Jiggalube".
There is a small chance I misheard my guy but I seriously hope not.
Hahahahahahahahahaha.
Jiggalube.
Never for me.
Just kidding.
Just found out that TMBG are playing two shows at Joe's Pub at 9pm and 11pm on Wednesday the 16th of May.
I will probably just go to the 11 o'clock show.
You should come.
Seriously.
You should!
We could hang out before and get dinner or something.
Maybe share a soda?
And a glance...
Also, I am in that shitty, short and unappetizing baseball play this weekend.
It's called something or other and it's playing as part of a series of plays about baseball (the fuck?) at 5pm on Saturday and Sunday.
The address of the theater is 123 E. 24th street and that's really all I know.
I think the whole program is called the Sports Complex or some fucking thing.
Don't bother showing up unless you want to see me wearing baseball pants and pretending to give a shit about baseball.
And I'll do that for free if you want to just make an appointment.
Had a very solid audition today which I probably won't get because WHITEY IS KEEPING ME DOWN.
Have a VO audition for a "personal lubricant" called (I shit ye not) "Jiggalube".
There is a small chance I misheard my guy but I seriously hope not.
Hahahahahahahahahaha.
Jiggalube.
3.14.2007
You can't get anywhere staring at the one you love.
So this guy, Jonathan Lethem, has this project called "The Promiscuous Materials Project".
He wrote a bunch of lyrics over the past 20 years and put them up for anyone at all to make into something.
Linnell has recently recorded a version of one of the songs and it's really great.
It's called "The Second Longest Night" and can be listened to here.
Enjoy.
He wrote a bunch of lyrics over the past 20 years and put them up for anyone at all to make into something.
Linnell has recently recorded a version of one of the songs and it's really great.
It's called "The Second Longest Night" and can be listened to here.
Enjoy.
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