Live and Cold and Black and Infinite - Four Nights of NIN in NYC

Highlights

I bitch...so...hard...about Nine Inch Nails. I believe I've explained before that the reason I bitch so hard is because I know what Trent Reznor is capable of and, when he doesn't live up to the standards that he himself has set, I get disappointed. It doesn't come from a place of anger, it comes from a place of confusion. "Trent...you did such great things here, why aren't you doing great things here?"
That is why, when I saw NIN back in 2014 back-to-back and they performed the same set on both nights, I bitched. Hard.
Three years and two EPs later, they played Panorama and then a secret show at Webster Hall, again, back-to-back. Although the sets were different from one another, I still recall one of my favorite moments being that, on that second night, they didn't play "The Hand That Feeds". Again: one of my favorite moments of seeing Nine Inch Nails live...was the absence of a song. That is not right.
A year and one more EP* after that, NIN set out on their Cold and Black and Infinite tour. Right before that though, they did a small run of festival shows with a pretty standard set, except for three tracks off the new EP to spice things up.
Based on that festival run, the fact that they were playing for festival crowds and not "real" Nine Inch Nails fans, the fact that it wasn't a named tour, and the "Physical World" pre-sale event, I knew there would be something special about CBI. I did not know what and that's how I liked it.
At the aforementioned pre-sale event, Chris and I bought tickets to both shows at Radio City Music Hall. When the band announced two more back-to-back nights at Brooklyn's Kings Theatre, I decided to go for the second night and easily scored GA tickets. After that second Radio City Music Hall show, we debated and then bought tickets to the third show, thus setting ourselves up for four Nine Inch Nails shows in five days.
As I've already reviewed each night individually (see below), I'll just list some things I'll never forget.

• I saw "The Perfect Drug", my hands-down favorite Nine Inch Nails song, live, twice, played exactly as it should be, with a drummer who can hit every single beat and somehow find a way to instill the track with even more energy.

• I was lucky enough to see "Now I'm Nothing" transition into "Terrible Lie"**

• I heard all of Broken, a formative album for me, played front to back, including the cheeky hidden tracks.

• Additional highlights included: "Mr. Self Destruct", "This Isn't The Place", two thirds of Bad Witch, "Gave Up" (not that unique, but they fucking brought it this time around), "All The Love In The World", TDTWWA, "Burn", "La Mer", "The Becoming", "Burning Bright (Field On Fire)", "Happiness In Slavery", "Find My Way", "I Do Not Want This". "Parasite", "The Background World"

I'm sure the next thing from Reznor will let me down in some way, because that's who I am, but I'm going to keep this experience with me. I walked out of each night completely satisfied and genuinely excited at what was coming next. Did I leave at the start of "Hurt" on those final two nights? Yes. Because a. I've seen it at every Nine Inch Nails show but one, and b. Kings Theatre is fucking MILES from my home and getting a car when there's 5000 people out front as opposed to 20 is a lot harder.*** Aside from that, yeah, these shows were something special. Even if everything is lazy and boring and triple H from here on out, these shows happened and I was there.

Here are reviews from the specific nights of the tour, along with links to photo and video galleries.

Radio City Music Hall [Night 1]
Radio City Music Hall [Night 2]
Kings Theatre [Night 1]
Kings Theatre [Night 2]


* Bad Witch is an EP. Stop. Shut up. It is.

** The only downside being that I can never hear TL again without that intro.

*** Although I did feel like a parent sneaking out of his kid's school play for some really odd reason...

Cold and Black and Infinite North America 2018 - Nine Inch Nails @ Kings Theatre [Night 2]

Well, I just saw Nine Inch Nails play all of Broken in sequence. If that weren’t enough, they whipped out their cover of How To Destroy Angels’ “Parasite”, “Me, I’m Not” from Year Zero, and “The Background World”, the phenomenal closer from last year’s Add Violence. Somehow, after three unique and surprising sets, Trent motherfucking Reznor keeps things interesting. In four nights, I witnessed Nine Inch Nails play 53 unique songs, including over a dozen I’d never seen performed live, one of which, “The Perfect Drug”, has been my favorite song of theirs since its release over twenty years ago.

Back in 2009, NIN opened for Jane’s Addiction on the NIN|JA tour, then, deciding things were a bit too restricted between shortened set times and the daylight sapping the drama from their performances, they embarked on their Wave Goodbye tour. As far as production and spectacle, this was their most attic set of shows. There were no elaborate lighting rigs or interactive LED panels…not even a scrim on which to project abstract colors and shapes: just the band and an insane rotation of songs. Catching them four times in three months, I saw most of The Slip, a good chunk of The Fragile, and almost all of The Downward Spiral, but the four nights of the Cold and Black and Infinite tour blew those away. The depth of the deep cuts, the breadth of the material covered was literally astonishing at times. The only sure thing every night was “Head Like A Hole” denoting the end of the first set and “Hurt” closing things out*.

The only complaint any true fan of Nine Inch Nails could have about this tour is that they didn’t see enough of it. As I said when Bad Witch came out earlier this year, if Reznor did decide to call it quits after that album and after this tour, I could not be more satisfied with what he’s done and with what I’ve seen.

Photo/video gallery

* Or intimating it was safe to leave if anyone wanted to beat the traffic.

Cold and Black and Infinite North America 2018 - Nine Inch Nails @ Kings Theatre [Night 1]

There’s something to be said for collecting. I’m not a collector in the sense that I obtain things, keep them in their wrapping, and never touch them again. I don’t go to conventions to trade my unwrapped things for other people’s unwrapped things, but there is a part of me that yearns for completion. In that sense, I enjoy the idea of “collecting” an album's live performance, in other words, hearing all of the songs on an album played live; not all in one night or in order, but over the years. That was one of my reasons for seeing Nine Inch Nails at all four of their New York shows. There’s also the fact that, while Trent Reznor recently said he’s not planning on quitting music any time soon, life’s too fucking short and why would I not see Nine Inch Nails four nights in a five day period?
Plus…I needed to see “The Perfect Drug” again. I was not ready the first time.

Even though this was the first of their two Brooklyn shows, Reznor treated it as the third in a series of four, playing eight songs not heard at the two previous shows, including two tour debuts (“I Do Not Want This”* and “Something I Can Never Have” from 1989’s Pretty Hate Machine). Over the course of this third performance, the band played half of their debut album (if you count the little “The Only Time” interpolation in “Closer”), a Gary Numan cover (“Metal”), and opened with a rare gem, “Now I’m Nothing”, which was composed and performed for their 1993 Lollapalooza stint. This particular show opener, “Now I’m Nothing” into “Terrible Lie”, has only been performed live on two other tours, 2009’s Wave Goodbye and this current tour. It might be the most powerful opening number in their repertoire and I actually consider it a sort of honor to have witnessed it live.

After this, there was to be one, final New York show. I was convinced there was nothing left to shock me, but Trent Reznor has fooled me before.

Photo/video gallery

* The introduction of this into the tour’s rotation along with nine other tracks from the album indicates that another full performance of The Downward Spiral is imminent, perhaps during the band’s six night run at the Palladium in Los Angeles at the end of the year.

Cold and Black and Infinite North America 2018 - Nine Inch Nails @ Radio City Music Hall [Night 2]

Back in May, when tickets for Nine Inch Nails’ Cold And Black And Infinite tour went on sale only at the box offices of the venues where the handful of shows were being held, there was a poster for sale listing the locations of this so-called “Physical World” pre-sale event. Last month, once the tour had started, there was a different poster available at the shows. When the two posters were laid next to one another, it completed a larger image; it turned out each poster was only half of the full picture. The second night of Nine Inch Nails at Radio City Music Hall was that second half. Between the two shows, only three songs were repeated, all the rest were unique to that evening’s performance. And, like the first night, Trent Reznor did not seem to give the slightest of fucks about the more radio friendly audience members.

While the first night included two thirds of their latest release, Bad Witch, and half of the release before that, as well as some never-before-played* songs such as “All The Love In The World” from With Teeth and “The Perfect Drug” from 1997’s Lost Highway soundtrack, this second evening focused more on The Fragile (the beginning of the show was the first four tracks of that album in sequence), The Downward Spiral (including a blistering rendition of “The Becoming”), and Year Zero. The chaotic ending of “The Great Destroyer” has been retooled to include garbled bits of the current American president's already garbled voice, adding a real chill and sense of impending doom to the performance. As before, there was a handful of unique moments, namely the reappearance of “La Mer” which hasn’t been played in full, in almost a decade, a rare and heartfelt cover of Bowie’s “I Can’t Give Everything Away”, and a transition from “Help Me I Am In Hell” to the explosive and obliterating “Happiness In Slavery”, which hasn’t been played live in almost 25 years.

“This is a weird set, huh?” asked Reznor at one point. “Well, it just felt right”.
No complaints here, Trent. None.

Nine Inch Nails are playing two more nights in New York at Brooklyn's Kings Theater.
I will be there.

Photo/video gallery

* Never before this tour.

Cold and Black and Infinite North America 2018 - Nine Inch Nails @ Radio City Music Hall [Night 1]

The looks on the faces of every single person who was there expecting a typical Nine Inch Nails show…*

Oh goodness but the delight was just as creamy and sumptuous as a decadent creme brûlée...the puzzlement and consternation as the band drifted into “This Isn’t The Place”, one of the most fragile and gorgeous tracks to come from Nine Inch Nails in recent years, the shocked delight as the first pulsing guitars from “The Perfect Drug”** came skittering off the stage, the stunned silence that fell over the crowd as “Over and Out” began.
Yes, yes, they still played “Wish”. “March of the Pigs”, “The Hand That Feeds”, “Head Like A Hole”, and “Hurt”, but aside from those tracks, the night was replete with surprises for true fans of Nine Inch Nails. Reznor tossed a few scraps to the casual fan then turned his back on them for the rest of the evening, embracing his chosen, those that have been with him from the beginning, those that do not need to hear “Closer” again, those that have always supported his music and will continue to do so, especially after this outpouring of gratitude and love for his fans.

Sadly, a good portion of the energy was offset by the lackluster sound balance. Perhaps the World Famous Radio City Music Hall wasn’t meant for such punishing noise, but whatever the case was, fifteen seconds into the opener (“Mr. Self Destruct”) it was evident that the bass was in the wrong place and that the volume was pegged at a six when they should have been ten times that. Despite the less-than-perfect acoustics, Nine Inch Nails delivered a singular experience, one of the best performances I’ve ever seen.

Photo/video gallery

* Whatever that means.

** THEY FUCKING PLAYED THE PERFECT FUCKING DRUG!!!!!!!